Powtórzenie w sztuce polskiej od lat 90. Xx wieku a problem „końca sztuki”
Repetition in the Polish Art Since the 90s XX Century and the Problem of „the End of Art”

Summary/Abstract: Article presents ways of using the philosophy of difference and repetition as a method of interpretation the contemporary Polish art. It is shown how the philosophy is functioning and forming itself. Theoretic considerations apply concepts of Gilles Deleuze and Jacques Derrida and the use of this line of researches in the discourses of art taken by Rosalind Kraus, Umber-to Eco and Arthur C. Danto. Synthetic analysis of repetition which is understood as a morpho-logical, ostentatious, transformation and transfiguration can be found both in the pop-art and contemporary Polish art, called popbanalizm, which for the purposes of the article is repre-sented by Wilhelm Sasnal, Marcin Maciejowski, Jakub Julian Ziółkowski, Agata Bogacka, Jawdiga Sawicka.

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