Историйността на естетическото?
The Historicity of the Aesthetical?

Summary/Abstract: The article offers a quasi-phenomenological reading of the aesthetic attitude. Inspired by the end of art thesis, while taking into consideration its restatement through Heidegger’s “Der Ursprung des Kunstwerkes”, the author proposes an approach based on the notions of secularization and resacralization. This approach seems relevant enough for interpreting those signs of the times that the modern aesthetic culture of a European art world reveals through its historicity. This makes it possible, on the one hand, to interpret aesthetic theorization as a kind of “heretical theology”, and on the other hand, to construe art within the framework of its relatedness to an extra-confessional worship or even a liturgical practice.

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