Изкуство vs „производство“ на филми, или кога Холивуд забрави как се разказват истории
Art VS. Film “Production” or When Hollywood Forgot How to Tell Stories

Summary/Abstract: The movies with Oscar nominations: The Revenant by Alejandro G. Iñárritu(2015); Room by Lenny Abrahamson (2015); Spotlight by Tom McCarthy (2015);Carol by Todd Haynes (2015); The Hateful Eight by Quentin Tarantino (2015);Joy by David O. Russell (2015) are critically reviewed for not being consistentwith the essence of the art of motion pictures. The author seeks to try and answerthe question where has the art of storytelling gone on the one hand, and all thedirectors capable (or capable, but unwilling) to tell exciting stories, on the other.The movies with Oscar nominations: The Revenant by Alejandro G. Iñárritu (2015); Room by Lenny Abrahamson (2015); Spotlight by Tom McCarthy (2015); Carol by Todd Haynes (2015); The Hateful Eight by Quentin Tarantino (2015); Joy by David O. Russell (2015) are critically reviewed for not being consistent with the essence of the art of motion pictures. The author seeks to try and answer the question where has the art of storytelling gone on the one hand, and all the directors capable (or capable, but unwilling) to tell exciting stories, on the other.The movies with Oscar nominations: The Revenant by Alejandro G. Iñárritu(2015); Room by Lenny Abrahamson (2015); Spotlight by Tom McCarthy (2015);Carol by Todd Haynes (2015); The Hateful Eight by Quentin Tarantino (2015);Joy by David O. Russell (2015) are critically reviewed for not being consistentwith the essence of the art of motion pictures. The author seeks to try and answerthe question where has the art of storytelling gone on the one hand, and all thedirectors capable (or capable, but unwilling) to tell exciting stories, on the other.The movies with Oscar nominations: The Revenant by Alejandro G. Iñárritu (2015); Room by Lenny Abrahamson (2015); Spotlight by Tom McCarthy (2015); Carol by Todd Haynes (2015); The Hateful Eight by Quentin Tarantino (2015); Joy by David O. Russell (2015) are critically reviewed for not being consistent with the essence of the art of motion pictures. The author seeks to try and answer the question where has the art of storytelling gone on the one hand, and all the directors capable (or capable, but unwilling) to tell exciting stories, on the other.The movies with Oscar nominations: The Revenant by Alejandro G. Iñárritu (2015); Room by Lenny Abrahamson (2015); Spotlight by Tom McCarthy (2015); Carol by Todd Haynes (2015); The Hateful Eight by Quentin Tarantino (2015); Joy by David O. Russell (2015) are critically reviewed for not being consistent with the essence of the art of motion pictures. The author seeks to try and answer the question where has the art of storytelling gone on the one hand, and all the directors capable (or capable, but unwilling) to tell exciting stories, on the other.

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