DESPRE HERMENEUTICA SIMBOLURILOR DIN ARTA NAIVĂ
Interpreting simbols in naive art
Author(s): Maria-Roxana BischinSubject(s): Philosophy, Fine Arts / Performing Arts
Published by: Editura Universitatii LUCIAN BLAGA din Sibiu
Keywords: naive art; ingenuity;Victor Ernst Maşek; folcloric art; Henri-Rousseau; Wilhelm Uhde; The Manifesto “The Popular Artists of the Reality”; Hans Gadamer; Weltverhalten; Spielgegebenheit;
Summary/Abstract: The naive art appears in France by the end of 1880's. It is an antitetic art to the bourgeois society, an allegory to certain social phenomena. It can be corelated with naivety, with ingenuity, but only apparently. The exeget Victor Ernst Maşek had contributed a lot in this field of study considering that ”no map of human spirituality shaped by art, cannot ignore the myterious archipelago of ingenuity” . This ingenuity can be correlated with ancestral forces of the subconscious, so that we can make a reference to Adolf Bastian's theory who described the unity of the human psychic.
Journal: SAECULUM
- Issue Year: 43/2017
- Issue No: 1
- Page Range: 57-65
- Page Count: 9
- Language: Romanian
- Content File-PDF