SHOW BUSINESS COMPANIES AND THEIR MUSICAL CONSTITUENTS Cover Image

SHOW BUSINESS COMPANIES AND THEIR MUSICAL CONSTITUENTS
SHOW BUSINESS COMPANIES AND THEIR MUSICAL CONSTITUENTS

Author(s): Oleg Polevoy
Subject(s): Theatre, Dance, Performing Arts, Music, Cultural Anthropology / Ethnology
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: show business; personal manager; agent; music forming action; conferencier;

Summary/Abstract: Purpose of Article. The article focuses on understanding of the role of the musical components as a whole of the modern show. Methodology. The methodology of the study consists in using cоmpаrative and historical-logical methods, which allow revealing and analyzing certain models of the planning of cultural-mass actions. Scientific novelty. The scientific novelty of the work is defined by theoretical originality of the approach from music – ideal – specifics of organizations of show-actions, business sense of which associates with ideal source of human essence. Conclusions. A conferencier as a musical ingredient of the performance, even devoid of musical sounds as such – leaves space for inscribing by the musical element, creative emotional disposition of joy, not mockery – skepticism (it is not the scope of the actual musical expression), but affecting ecstatics of Excitement. Show business is a multidivisional "infrastructure" of participants, including artists – professionals and supplemental to their activity organizer. There are professional musicians themselves and a conferencier among them. Their musical functions are determined by the historical cultural symbols.