The Computer Generated Art/Contemporary Cinematography And The Remainder Of  The Art History. A Critical Approach Cover Image

The Computer Generated Art/Contemporary Cinematography And The Remainder Of The Art History. A Critical Approach
The Computer Generated Art/Contemporary Cinematography And The Remainder Of The Art History. A Critical Approach

Author(s): Modesta Lupaşcu
Subject(s): Fine Arts / Performing Arts, Visual Arts, Film / Cinema / Cinematography
Published by: Editura ARTES
Keywords: computer generated art; Medieval Age Art; Renaissance; pictorialist cinematography; animation

Summary/Abstract: The paper analyses the re-conceptualization of the intermedialtrope of computer generated images/VFX in recent 3D works/cinemascenes through several examples from art history, which are connectedwith. The obvious connections between art history and images are notconceived primarily as an embodiment of a painting, the introduction ofthe real into the image, but prove the reconstructive tendencies ofcontemporary post-postmodern art. The intellectual, the casual, or theobsessive interaction with art history shown by the new film culture, isalready celebrated trough 3D computer generated art, focused to aconsistently pictorialist cinematography.

  • Issue Year: III/2016
  • Issue No: 2
  • Page Range: 137-150
  • Page Count: 14
  • Language: English