Interpretacje sceniczne rosyjskiej dramaturgii pierwszego trzydziestolecia XX wieku na scenach polskich (Tango Oberiu 1928. Rewia pure nonsense z ponurym zakończeniem)
Theatrical productions of Russian dramaturgy of the first thirty years of the 20th century on Polish stages (“Tango Oberiu 1928. Revue pure nonsense with miserable ending”)

Summary/Abstract: The paper is the attempt to compare the text of Daniil Kharms Yelisaveta Bam and her freetheatrical production made in Rozrywka Theatre by 􀃠ukasz Czaja. The author considers similaritiesof the text and scenography, reflecting not only Charms’ assumptions but also producer’s stageconcepts of The Great Reform of the Theater. The author also points out differences making a showout of Charms’ performance, closer to modern viewer, however, leveling the signs and atmosphereof the times when Charms’ drama was created.

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