FIBONACCI PERENNIS - FROM W.A. MOZART TO L. BERNSTEIN
FIBONACCI PERENNIS - FROM W.A. MOZART TO L. BERNSTEIN

Summary/Abstract: It is widely accepted that an Ariadne`s thread ties the antique Egypt’s monuments to the antique Greek’s temples and sculptures, the Renaissance’s picture and gothic cathedrals, the Picasso’s paintings and Le Corbusier`s architecture, and that this thread is in fact a proportion, the golden proportion. If this has relevance in the temporal arts, in music especially, it is an issue harder to cut. The intuition of space and time, although interconnected, presents undeniable features. In this studies we answer favorably to this dilemma, not from the esthetics point of view, but of the interpret, witch, having the privilege to be the one who lifts the first of the many veils that hide the mystery of creation embedded in the score, “playing” that mystery in the face of the audience, has the obligation to understand, as much as possible, and at a rational level, what where the subtle ins and outs of it , in what way they have the power to produce on the listener the desired effect imagined by the creator. Counting on the known historic value of the two pieces of work in discussion here belonging to the representatives of two different eras, Mozart and Bernstein, and on the correctness of our judgment, we hope to have contributed, even in a small measure to the consolidation of our point of view that we have previously presented.

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