«ИСКРЕННЕЕ ПРИНОШЕНИЕ СВОБОДНОГО ХУДОЖНИКА НА АЛТАРЬ БРАЧНОГО СОЮЗА С ТРУДОВЫМ ГОСУДАРСТВОМ»:
"THE SINCERE SACRIFICE OF THE FREE ARTIST ON THE ALTAR OF THE CONJUGAL UNION WITH LABOR STATE": CASE OF SERGEY PROKOFIEV
Author(s): Tatiana Aleksandrovna KruglovaSubject(s): Social Sciences, Cultural history, Ethics / Practical Philosophy, Labor relations, Social Theory, Sociology of Culture, Sociology of the arts, business, education, Sociology of Politics
Published by: Издатель Наталья Докучаева
Keywords: conformism; domination in the cultural field; eurasian theory; strategies of success; exchange of symbolic capital; biography of sergey prokofiev; professional ethos; stalinist cultural politics;
Summary/Abstract: The article studies the historical and theoretical background of qualification of the Soviet composer S. Prokofiev as a conformist. The biography of the composer reveals the strategies ensuring success and domination in the field of the soviet culture. In term of methodology the article is grounded on the conception of Pierre Bourdieu of appropriation and redistribution of the power in the field of art. The conformist strategy is understood as a type of exchange between the artist and the power producing the symbolic capital. The article also defines the conditions and the sources of the symbolic capital of S. Prokofiev in the Stalinist epoch.
Journal: Лабиринт. Журнал социально-гуманитарных исследований
- Issue Year: 2013
- Issue No: 1
- Page Range: 67-76
- Page Count: 10
- Language: Russian