RUCHY V SLOVENSKOM ANIMOVANOM FILME
NOISE IN SLOVAK ANIMATED FILM – 2ND PART

Summary/Abstract: Based on the authors own research, the study Noise in Slovak Animated Cinema aims to provide characterization of sound design and noise in particular in Slovak animated films from the 1940`s to 2000 and if possible, define the stages of its development. The author first mentiones the fact that sound has aesthetic value of character nature. She defines the key terms in correlation to brief analysis of the films or in correlation to their categorization. The terms „ stylized „ and „ realistic „ create the basic reference frame that allows the author to define the changing sound trends in the examined films. The two terms take into account the relationship of film animation to reality as well as to the conventions of other film genres. Using the semiotic paradigm analysis and communication test, the author determines how the choice of particular sound affects the scenario of film interpretation. The conclusions of the study refer to the importance of 1989, that brought beside the restructuralization of film production also aesthetic changes in the understanding of sound design, resulting from the different requirements of the animated film genre and the spread of new technologies. With the support of their teachers, these changes were promoted by the fresh graduates from Academy of Performing Arts in Bratislava.

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