Czy przeżycie piękna da się zdigitalizować? Sztuka multimedialna a wybrane kategorie estetyki Romana Ingardena
Can be beauty experience digitalized? Multimedial art and chosen kategories of Roman Ingarden’s aesthetics

Summary/Abstract: Modern culture called among others cyberculture – which means culture where information is special value and comunication runs thanks to high technology devices – produced it’s own works of art. These (works) bear geneneral name of multimadial or interactive artworks. Multimediality and interactivity suppose to be new and main kategories of modern art displaceing or expireing such conceptions as beauty or contemplation. But has really in cyberculture’s art an aesthetic situation, taking it’s place between artist (author), work of art and art reciver, changed in it’s essence? Can be beauty experience digitalized i.e. do multimediality and interactivity, if they – which some pointing – are in fact the main characteristics of XXI century works of art, exclude possibility of beauty experience? These questions answers will be here seeking as peculiar point of reference treating classical aesthetics of Roman Ingarden. It will be used firstly as starting point or rather some control factor for conducting analysis. Secondly questions asked here – especially first one – could be unambiguous settled if it would be possible to describe multimedial work of art in kategories of Ingardens’s aesthetics which were made on base and for analysis of so-called traditional works of art, for works which have multimedial creations preceded.

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