MUSIC, RHETORIC, AND REPRESENTATION
MUSIC, RHETORIC, AND REPRESENTATION
Author(s): Ion OlteţeanuSubject(s): Music
Published by: Addleton Academic Publishers
Summary/Abstract: London says that musical tempo is usually regarded as simply the rate of the tactus or beat. Samson contends that two strategies are prominent in histories of nineteenth-century music: intertextuality and individuation. Parker insists that operatic genres were defined by various dramatic differences and by the physical spaces in which they were permitted to be performed.
Journal: Analysis and Metaphysics
- Issue Year: 2009
- Issue No: 08
- Page Range: 160-164
- Page Count: 5
- Language: English
- Content File-PDF