Posttranzicijski kazališni izazovi i produkcijska forma
Post-transitional Theatrical Challenges and Production Form

Summary/Abstract: Risk existency challenges of modern society in the theater over the producer. Besides the unquestionable knowledge production, moments he was informed of the turbulent currents of social (in) significant impact on the production process. Produced by the addition, which is a good connoisseur of theatrical art, and someone who has strong qualities and the ability to recognize at some point social movements and anticipate the challenges of a new organizational positioning institution or project. Understanding the broader context existency theaters in a particular social setting is a special brand of producer who understands the time and adjusts his theatrical form with which to manifest. Social stunts form of theater that challenges the very least be a stimulating and creative designers work on the formation of new theatrical forms.During the post­transition produces a multitude of byproducts whose essence are speed, quantity, superficiality and banality, which undoubtedly has its reflection in organizational and production company in the field of theater. In such an environment to be faced with by­products, both in society and in the theater, and try to eliminate as many of their causes. Completely no by­product can not be eliminated from society, but in a theater production company sphere can be kept under constant control of the invention to cause lands adapting organizational or production form. Positioning and placement under the technical control and supervision of byproducts in the theater is something that is risky in terms of society, such as post­transition , is very good and desirable.Production form that will meet the challenges of the post­transition times were both in repertoire and in terms of production, is a small, mobile, movable chamber. Through a little theater production form, at a time when theater clumsy organisms can hardly survive, topics that are a serious threat to society, very fast, mobile and effectively convey adventures men theater. For his act of socially engaged theater, mobility and convincing interpretation of creation exposes a very effective way of what could have disastrous consequences. In this way, a small theater form has broader social role of missionaries conotation about that because of the closed society can not be publicly discussed by other means, to those theatrics, while the sense of production, realistic and achievable.

• Details
• Contents