Szöveg és kép viszonya W. G. Sebald Austerlitz című művében
The Relationship between Text and Image in W. G. Sebald’s Austerlitz

Summary/Abstract: The narrative-poetical specificities of W. G. Sebald’s works – the first-person narration whose narratorial voice hides a “Sebald-like” figure, the border-crossings between reality and fiction, the blend of the generic specificities of memoir, travel journal and essay as well as the illustrations, photos, paintings, drawings, maps, etc. – systematically inserted in the text make the Sebaldian textual universe idiosyncratic and recognizable. Thus, Sebald’s essay-novels contain not only texts but also pictures, which display the literary text as the remix of the verbal and the visual, as a remediated scene. The present study aims to examine this visual-textual scene in W. G. Sebald’s Austerlitz.

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