Хоровото творчество на Любомир Пипков и нашето съвремие
The Choral Works of Lyubomir Pipkov and the Present Day

Summary/Abstract: The importance of the choral works of Lyubomir Pipkov for the development of Bulgarian choral art is examined in the context of the processes of the 20 c. world choral culture. Particular attention is devoted to the significant characteristic features of the composer’s creative approach, reflected in his choral works: the knowledge of the specifics of the choral ensemble and the preference for the possibilities of expression of the human voice as a unique musical instrument, Pipkov’s deep affinity to poetry and the great importance of the text for the construction of his choral works as well as the high value and wealth of the artistic images in his choral lyrics. From the point of view of their structure, Pipkov’s choral works are considered to be an original anthology of various genres, pointing out the most remarkable works in each of the types (cantata­ oratorio works, choral cycles and song genres). Emphasis is laid upon the significance of his late choral opuses (“Madrigals” opus 67 and “Priglusheni pesni” opus 80 - meaning “Muted songs”) as some of the most brilliant examples of the world choral lyrics of the 20 century. The second part of the study presents the place of Lyubomir Pipkov’s choral works in the contemporary concert repertoire, pointing out the stability of the tendency to include his choral works in the concert programs of different Bulgarian choral ensembles. At the same time the important function of these works in the pedagogical curriculum for the education of young Bulgarian choir conductors is emphasized. Finally the conclusion is drawn that the choral works of Lyubomir Pipkov are connected with the present day through the universal themes being treated and through their emotional impact of eternal force.

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