Prerequisites for understanding intonation and artistic synthesis in the context of contemporary choral works Cover Image

Przesłanki syntezy intonacyjno-artystycznej we współczesnej twórczości chóralnej
Prerequisites for understanding intonation and artistic synthesis in the context of contemporary choral works

Author(s): Ievgieniia Bondar
Subject(s): Music
Published by: Instytut Polsko-Rosyjski
Keywords: choral art; staging; intonation and artistic synthesis

Summary/Abstract: Contemporary choral music entrenched not only in theaters, but in movies, shows, in the fields of multimedia and Internet space permanently. Firstly, we see an intense performing and composing movement aimed at reviving the national schools, we see a large number of studies on the regional features of choral singing, etc. Secondly, we see experiments in creating a new sound that forms the new image of intonation of the world. Therefore for their part it is possible to open up the possibilities of new opportunities of intonation and art synthesis as a leading characteristic of modern choral oeuvre. We emphasize that the synthesis is achieved not by the simple intercommunication/ comparison/connecting of different kinds of art or their means of expression, but it is such when as a result of art deed appears a new phenomenon – the intonation and art representation. Also in the article was defined the interference of leading elements of modern choral oeuvre in the formation of a complex affection on listener.

  • Issue Year: 2015
  • Issue No: 5
  • Page Range: 182-196
  • Page Count: 15