„Stary” czas w „nowej” muzyce — z zapisków dyrygenta
“Old” Time In “New” Music — From the Notes of a Conductor

Summary/Abstract: The article regards the meaning of time in the contemporary interpretations of a musical composition. In the first part, the author presents the concept of “temporality” in its selected scientific-philosophical aspects. The next section treats of differences in understanding the physical — “external” time and sensual — “internal” time, as well as of the phenomenon of “time in music” and its various musicological interpretations. The deliberations on theoretical and practical uses of knowledge about time in one’s performance, with the special focus on the “new” music, are included in the conclusions.

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