No Lies: kino bezpośrednie jako gwałt
No Lies: the Direct Cinema as Rape

Summary/Abstract: An analysis of the short-feature film: No Lies (M. Bloch, 1972) telling about the rape of a young woman while applying the cinéma vérité convention. Having conducted a survey of assorted film techniques of showing rape, the author proved the existence of parallels between the contents of a story told by the director and the way of conducting film narration. Comparing the document, full of manipulation, to raping the spectator V.C. Sobchak questioned supposed passivity branded with voyeurism and connected with the experience of watching a documentary film.

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