FORM AND METAMORPHOSIS EMBEDDED WITHIN THE PLASTIC COMPOSITION OF GRAPHIC, SCULPTURAL AND ARCHITECTURAL LANGUAGE IN SCENOGRAPHY Cover Image
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FORM AND METAMORPHOSIS EMBEDDED WITHIN THE PLASTIC COMPOSITION OF GRAPHIC, SCULPTURAL AND ARCHITECTURAL LANGUAGE IN SCENOGRAPHY
FORM AND METAMORPHOSIS EMBEDDED WITHIN THE PLASTIC COMPOSITION OF GRAPHIC, SCULPTURAL AND ARCHITECTURAL LANGUAGE IN SCENOGRAPHY

Author(s): Mihai – Cosmin Iaţeşen
Subject(s): Fine Arts / Performing Arts
Published by: Editura ARTES
Keywords: shape, metamorphosis, grafic, sculptural, painting, arhitectural, scenography

Summary/Abstract: The syncretic character of arts gained momentum especially in the second half of the XXth century though the diversification and the transmutation that started from the first decades of the regarded century. The plastic corespondances between graphics, painting, architecture and scenography originate from the relation between the perception of volume and becoming of some shape concept’s space, from sketch up to props and setting. One can represent volume in plastic arts in a large and diverse variety of possibilities, all the more so in which sculpture is regarded. The elements of language, such as the dot, the line, the spot and the shape, complete their expressivity through the plastic language’s value, plastic rithm, chromatic expresivenes through dominance, contrast and harmony. Through that which signifies or symbolize a representation in a specific context of the composition.According to the sculpting creators and therorists the sculpture disposes of a richen potential of expression than the painting or the graphics. This may be because the sculpture has a certain force generated by a tridimensional configuration while it’s volume regenerates. The plastic image that is embrassed on in ronde-bosse, attaches and convoys the content of ideas and the piece of art’s aesthetic value in scenography, more evidently , through its style (functional or spiritual, according to the century’s overview). By amplifying the vibes and the atmosphere of the century’s through architecture (where the volume, the surface and the design coordinate with the science and the art) and through the style of the costumes (outliving time and space) one can create the perfect circumstances for the action this is suggested to the characters whichever these may be eithen in the theatre, cinematography on television.

  • Issue Year: 2014
  • Issue No: 07+08
  • Page Range: 217-227
  • Page Count: 11
  • Language: English
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