Повторението и неговите вариации като композиционен похват при българското социалистическо сграфито
Repetition and its variations as a compositional technique in Bulgarian socialist sgraffito

Summary/Abstract: The paper aims at presenting the main patterns of repetition in the Bulgarian sgraffito from 1945-1989. Attention is drawn not only to the pure metric repetition but also to the variety of composition that gives it the rhythm. An attempt is made to define its conceptual and plastic role in constructing the visual language in the works.

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