Lucian Blaga – Synthesis between Philosophy, Poetry and Dramaturgy
Lucian Blaga – Synthesis between Philosophy, Poetry and Dramaturgy

Summary/Abstract: This article examines the work of Lucian Blaga (1895–1961) in its thematic and stylistic entirety, emphasizing the organic unity that underlies his philosophical, poetic, and dramatic writings. Starting from the conceptual framework of luciferic knowledge and the notion of mystery as an ontological principle, the study investigates the ways in which Blaga’s vision is consistently articulated across different forms of artistic and theoretical expression. Particular attention is given to the concept of the mioritic space as a defining cultural matrix, to the symbolic richness of Blaga’s lyric poetry, and to the metaphysical dimension of his dramaturgy. The article concludes by highlighting the enduring relevance of Blaga’s work within a contemporary cultural landscape increasingly shaped by technical rationalism and by the tendency to reduce the unknown to categories that can be fully explained and controlled.

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