PARTICULARITĂȚI STILISTICO-INTERPRETATIVE ÎN SONATA PENTRU PIAN OP. 24, NR. 1 DE GEORGE ENESCU
STYLISTIC-INTERPRETATIVE PECULIARITIES IN SONATA FOR PIANO OP. 24, NO. 1 BY GEORGE ENESCU
Author(s): Meda NemetiSubject(s): Philosophy, Fine Arts / Performing Arts, Music, Aesthetics
Published by: Editura Universitatii din Oradea
Keywords: George Enescu; piano; sonata;
Summary/Abstract: George Enescu's piano creation gradually develops from a stylistic point of view, the phases taken by the composer in achieving his own synthesis being obvious. The two sonatas op. 24 represent the perfection in the composition of piano works by George Enescu. The next study is intended to be a tribute to the best known Romanian musician, 140 years after his birth, by analyzing Sonata op. 24, number 1 in F# minor. Through the variety and continuous diversification of his own piano writing elements, the great Romanian composer managed to materialize his orchestral vision.
Journal: Colloquia Artium
- Issue Year: 2/2021
- Issue No: 2
- Page Range: 3-12
- Page Count: 10
- Language: Romanian
