Obraz Polaka na Górnym Śląsku w twórczości Maxa Waldaua (1825–1855)
The Image of the Pole in Upper Silesia in the Works of Max Waldau (1825–1855)

Summary/Abstract: In this article, the author seeks to answer the question of what image of the Pole emerges from the works of the Silesian poet Max Waldau (1825–1855). The aim is to familiarize the reader with this German-language writer associated with Silesia, his literary output, and his attitude toward Polishness. The study consists of three parts. The first presents his life trajectory , linked primarily with Wrocław, Kietrz, and Szczyty, as well as with his studies in Heidelberg. The second discusses his literary work, and the third examines the stereotype of the Pole that Waldau reproduced. The Silesian author loved his “little homeland”. He regarded education as a key factor contributing to its economic and social development. The image of the Pole in Waldau’s work emerges above all from his book Nach der Natur. It is not a straightforward one. On the one hand, the poet helped reinforce the negative image of Poles typical among Germans of his time, especially in Upper Silesia. He perpetuated the stereotype of polnische Wirtschaft and the notion of the “Polish Indian”. For him, the Pole in Upper Silesia was someone inefficient, not very hardworking, incapable of planning his actions, and in need of civilizing measures. On the other hand, Waldau was capable of appreciating the exoticism, beauty, and vigor of the Poles. Although he identified with German culture, he did not wish to impose Germanization by force. The author argues that Waldau and his work deserve greater recognition than they have received thus far.

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