From Locus Sacrum to Exhibition Space. Decontextualizing and Aestheticizing medieval art
From Locus Sacrum to Exhibition Space. Decontextualizing and Aestheticizing medieval art

Summary/Abstract: The transfer of medieval art from a liturgical context to a secular exhibition setting generates profound changes on its perception. This process generates phenomena of decontextualization, aestheticization and desacralization, which dilute the original meaning of the artifacts, transforming them from cult objects into museum exhibits evaluated predominantly from an aesthetic and historical perspective. This paper examines the impact of this transfer on the sacredness of medieval art and explores strategies by which museums can counteract the loss of the spiritual dimension. These solutions include the reconstruction of the original context as much as possible, highlighting the immaterial dimension of medieval sacred art, detailing devotional practices, saints' hagiographies, sacred symbolism, integrating evocative scenographic elements (light, music, scents), using immersive technologies and creating an atmosphere conducive to a contemplative experience. Relevant examples, such as The Cloisters or the Musée de Cluny, demonstrate that careful curatorial approach can facilitate the recontextualization of medieval art without compromising its transcendental dimension. Museums can go beyond mere conservation and exhibition spaces to become environments for rediscovering an authentic relationship with the sacred, offering visitors an experience that goes beyond mere aesthetic admiration and enters the realm of spiritual reflection.

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