Az antiszemita erőszak emlékezete. Alföldi Róbert: A velencei kalmár, 1998
The Memory of Anti-Semitic Violence. Róbert Alföldi: The Merchant of Venice, 1998
Author(s): László HevesiSubject(s): Fine Arts / Performing Arts
Published by: Theatron Műhely Alapítvány
Keywords: The Merchant of Venice; Róbert Alföldi; Zoltán Rátóti; Shylock; Anti-Semitic Violence
Summary/Abstract: Róbert Alföldi’s early production in 1998, the first performance of The Merchant of Venice in Budapest after the regime change, had a public discourse-shaping effect because it addressed the presence of the radical far right in contemporary Hungarian political history. Alföldi’s production fulfilled its political function by evoking a past and a possible future closely linked to the memory of anti-Semitic violence. In my study, I use Philther’s analysis to examine the theatrical-cultural context of Alföldi’s production, the dramaturgy, the visuals, the direction, and the acting, with a special focus on Zolán Rátóti’s portrayal of Shylock. I also examine the impact of the performance. Alföldi’s production of The Merchant of Venice had a significant influence on public discourse. It contributed to the process of reintroducing Jewish expressions into public discourse shaped by the legacy of state socialism.
Journal: Theatron színháztudományi periodika
- Issue Year: 19/2025
- Issue No: 2
- Page Range: 93-111
- Page Count: 19
- Language: Hungarian
