Kentaurok
Centaurs

Summary/Abstract: Thanks to Gábor Bódy, experimental filmmaking at the Balázs Béla Studio took on a series or group character in the 1970s, and thus – together with a few other works – “institutionalised” experimentalism within the institution. The Linguistic Series, the K/3 group pieces and the other experimental works represent two different versions: while all explore the new linguistic possibilities of the medium, in one the search for language and the medium itself becomes the subject, while in the other linguistic radicalism is embedded in a socio-political context. The first part of the study presents the film history and theoretical background of the corpus under examination.

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