Ideological Representation in Turkish Cinema and Turkish Cinema During the AK Party Era Cover Image

Ideological Representation in Turkish Cinema and Turkish Cinema During the AK Party Era
Ideological Representation in Turkish Cinema and Turkish Cinema During the AK Party Era

Author(s): Selami İnce
Subject(s): Government/Political systems, Film / Cinema / Cinematography, Sociology of Politics
Published by: Transnational Press London
Keywords: AK Party; secularism; cultural hegemony; westernization; cinema;

Summary/Abstract: Cinema has long been recognized by governments for its societal influence, and Turkey is no exception. During the early years of the Republic, while all fine arts flourished under state protection, cinema did not receive the same level of support. However, Turkish cinema evolved in line with the Republic's official ideology, emphasizing values such as modernization and secularism. As the government acknowledged cinema's power, it began directing the industry to align with state interests, promoting a "Western" worldview. Following the rise of the Justice and Development Party (AK Party) in 2002, Turkey underwent a shift toward conservatism, with religious values influencing cultural and social life. This article examines how the AK Party's conservative and religious agenda has shaped Turkish cinema, focusing on whether the 20 highest-grossing films of the AK Party era contributed to a new cultural hegemony and whether Turkish cinema has become more religiously oriented in this period.

  • Issue Year: 15/2025
  • Issue No: 1
  • Page Range: 15-31
  • Page Count: 17
  • Language: English
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