Hâfız Sadettin Kaynak’ın Hicaz Makamındaki Eserlerinde Kullandığı Makam Geçki/Çeşnilerin Tahlili
Analysis Of the Maqam Transıtıons/Taste Used in Hâfız Sadettin Kaynak’s Hicaz Maqam Works

Summary/Abstract: Classical Turkish music is one of the most important branches of Turkish musical culture. In Classical Turkish music, which is composed within the framework of maqam, usul and certain forms, the use of maqam and mastery of maqam transitions in particular have been seen as one of the criteria that show the level of success of composers and performers in Classical Turkish music. In order to gain the mentioned mastery, a work or performances that is an example of maqam transition is analyzed. This study aims to analyze the maqam transits/flavors used by Hafız Sadettin Kaynak, who is one of the important composers of the 20th century and is prominent in the subject of maqam transits, in his works in Hicaz maqam. For this purpose, the qualitative research method was used in the study. The notes of 59 of the 70 works in the Hicaz maqam composed by Sadettin Kaynak were obtained from the Presidential State Choir and TRT archives. Following Kaynak’s life and work information, each of the 59 works in Hicaz maqam was analyzed under the title of the work, and examples selected from the determined maqam transitions/flavors that were different from each other were included in the relevant work. The examples included were written with the finale v26 notation program.

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