Koncepcja sztuki postprodukcjonistycznej Nicolasa Bourriauda wobec kultury didżejskiej
Nicolas Bourriaud's Concept of Post-Production Art in Relation to DJ Culture

Summary/Abstract: The purpose of the article is primarily to demonstrate that the conceptof “DJ” used in Bourriaud's writings should be considered as a historical cate-gory. This allows us to define its scope of meaning as broadly as possible and,consequently, to set the context that proves to be as important for the conceptof post-productionist art itself as the thought of Michel de Certeau. Because theproducts of the visual arts can be described in terms of categories derived fromthe auditory domain.

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