Актьорският тренинг „Гледни точки“ (Viewpoints) в контекста на съвременните физически подходи за работата с актьора
Viewpoints Actor Training in the Context of Contemporary Physical Approaches to Working with the Actor

Summary/Abstract: The explores Anne Bogart's Viewpoints method as an innovative tool for actor training and theatrical composition. It examines the evolution of the technique—from Mary Overley's concept to its application in Bogart's theatrical practice and the SITI Company. The text presents the nine physical Viewpoints of time and space—tempo, duration, kinesthetic response, repetition, spatial relationship, topography, shape, gesture, and architecture. Emphasis is placed on their role in stimulating the actor's imagination, spontaneity, group work, and compositional skills. Special attention is given to the significance of this training in modernizing physical approaches in actor education in Bulgaria, as well as to the role of feedback and self-reflection in the learning process. The article analyzes the challenges and opportunities of applying Viewpoints within the Bulgarian theatrical context, drawing conclusions from practical experience working with students at NATFA "Krastyo Sarafov"

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