Vampiric Episteme and the Reconfigurations of the Cinematographic Vampire
Vampiric Episteme and the Reconfigurations of the Cinematographic Vampire                
Author(s): Yuri GarciaSubject(s): Language and Literature Studies, Fine Arts / Performing Arts, Film / Cinema / Cinematography, Philology
Published by: Editura Universitatii Transilvania din Brasov
Keywords: vampire; reconfigurations; cinema;
Summary/Abstract: We seek to analyze the reconfigurations of the vampire in contemporary cinema. However, our aim is not mapping this phenomenon, but underlining some examples of the most blockbuster Hollywood productions and focusing (above all) in an analysis of a vampiric episteme that can reflect the characteristics and ability of this being to adapt to the new desires of the public and society. In a vast history of representations, the vampire has encompassed an interesting multiplicity, with a variation of readings of his sociopolitical and cultural metaphors. In this way, it is possible to identify the transformation of this classic Gothic villain into contemporary appearances that dialogue with our new desires and needs. Nowadays, our current experiences proposals that cast these personas through heroic figures in different narrative arcs that are not limited to just the horror genre.
Journal: Bulletin of the Transilvania University of Braşov, Series IV: Philology & Cultural Studies
- Issue Year: 18/2025
 - Issue No: 1
 - Page Range: 127-144
 - Page Count: 18
 - Language: English
 
