Pisane na piasku
Written on Sand

Summary/Abstract: „Poetic language, unlike the language of sculpture, is not the language of concretes. Poetry is a special kind of antimatter. Is it possible, then, to translate something whose deepest meaning is inexpressibility into sculpture? Poetic language has at its disposal a number of tools such as negation, paradox, contradiction, contrast. How do we find the equivalent of these in sculpture?”

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