Отражението на Речника на Себастиан дьо Бросар върху следващи лексикографски издания от същата епоха. Опит за сравнение с първото от тях...
The Impact of the Dictionary of Sebastian De Brossard On Further Lexicographic Editions From the Same Epoch. An Attempt at Comparison With the...

Summary/Abstract: The Impact of the Dictionary of Sebastian De Brossard On Further Lexicographic Editions From the Same Epoch. An Attempt at Comparison With the First of Them - Musical Lexicon of Walter (1732) After profoundly examining and making the first by now translation of the major edition (the second one, from 1705) of the Dictionary of Music by Sebastian de Brossard, containing explanations of the most frequently used in music Greek, Latin, Italian and French terms, I decided to trace its impact on further similar in purpose editions from that epoch. The Dictionary by de Brossard is an example that attracts and gives incentive to many authors of later music dictionaries; it is the basis and an example for their implementation. I dared to represent in great detail the data of comparison in comparing the Dictionary of De Brossard and the Musical Lexicon of Walter, issued in 1732. The reader will be able to see both the similarities and the differences. I paid attention, in comparative manner, to the term „notes inégales”, which I met for the first time (as a semantic load) in translating the two treatises by De Saint Lambert – Principles of Harpsichord (Paris, Ballart, 1702) and New Treatise on Accompaniment… (Paris, Ballart, 1707).

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