THEATRICALITY OF PROSE AT THE TOPOI LEVEL
THEATRICALITY OF PROSE AT THE TOPOI LEVEL

Summary/Abstract: In the article deals with the phenomenon of theatricality in the narrative literary text is approached from the point of view of the relationship between literariness and theatricality and of the concepts the world as theater and the world as performance, topoi of cultural-aesthetic origins. From the perspective of the comparative method, we analyze the specifics of the artistic imaginary of I. Druță and V. Vasilache, creative individuals from the same generation 60, demonstrating the artistic vision of each author, the way theatricality and its forms are manifested in their narrative texts. In this context, the opinion of the theatrologist, playwright N. Evreinov regarding the theatricalization of life and the pre-aesthetic aspect of theatricality becomes current. The characters in the prose of these authors reveal to a large extent the social dramaturgy, the way in which man dramatizes life and the art of the creative personality to artistically capture and transfigure such aspects of reality.

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