Typology of Technical Image Media (completion from the previous issue) Cover Image

Typológia technických obrazových médií (dokončenie z minulého čísla)
Typology of Technical Image Media (completion from the previous issue)

Author(s): Martin Palúch
Subject(s): Theatre, Dance, Performing Arts
Published by: SAV - Slovenská akadémia vied - Ústav divadelnej a filmovej vedy SAV

Summary/Abstract: The study called Typology of Technical Image Media is dedicated to type analysis of technical images. From the point of view of the subject ontogeny it is explaining in detail three development phases which affect the semiotic process in creation and reception of the three image types. It concerns the phase of a mirror and mirror pictures, the phase of a photography and photographic pictures, and the phase of a film and film pictures. Subsequently, and based on the aforementioned three development phases, the study defiles three spectator categories - authors , actors and a genaral one. The study is focused on revealing the principles affecting the rate of subject identification in conjuc-tion with contents of various types of technical images. The chapter called Notes on Reality Show recognizes present trends in the area of television creation and their impact on cinematograpghy. The final chapter called Assembly -Mechanism, Language and Symbol analyses the project fim code constitution, and the possibility of creation and reception of its symbols. At the same time the author introduces his conviction that technical - iconic codes of technical images based on analogy are not capable of creating the language system as they do not contain a definite articulation unit. The complexity of technical iconic codes opens up a way to further sciences, so as to study their interdisciplinary nature which is overlapping the interest territory of just one science

  • Issue Year: 53/2005
  • Issue No: 03
  • Page Range: 184-191
  • Page Count: 8
  • Language: Slovak
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