Eastern naturalness versus western artificiality: Rimsky Korsakov's influence on Manoles Kalomoires' early operas
Eastern naturalness versus western artificiality: Rimsky Korsakov's influence on Manoles Kalomoires' early operas

Summary/Abstract: In this article the writer investigates the relations between perceptions of the East and the West in nineteenth century Greece, their connection to national identity, to the language question and to political tendencies. The composer Manoles Kalomoires was influenced by a group of progressive intellectuals striving to liberate Greek literature and language from its dependence on Ancient Greek legacy, a dependence motivated by Western idealists (who saw in the Greek Revolution of 1821 a renaissance of Ancient Greece). Most were educated in the West, but promoted an oriental image of Greeks. Kalomoires’ musical expression of this image was inspired by Rimsky-Korsakov’s Sheherazade and the Golden Cockerel. In 1909–910 he wrote an unfinished opera, Mavrianos and the King, on the model of the Golden Cockerel. He later used this music in his best known opera, The Mother’s Ring (1917). In the present article the similarities in the three works are for the first time shown. An essential influence from RimskyKorsakov’s work is the contrast between the world of freedom, nature and fantasy and that of oppression.

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