Les modèles économiques du genre de la comédie musicale en Serbie et en France depuis 2005
Economic models of the musical comedy genre in Serbia and France since 2005

Summary/Abstract: The genre of musical comedy – or musical in Anglo-Saxon terminology – represents a current subject in Serbian and French theatrical life. The last decade has given new impetus to the genre, but it is particularly the period since 2005 that is characterized by many significant changes in the industry that have contributed to the unprecedented success of the musical in Belgrade and abroad. Serbia. But also in France, in a context as different as possible from the Serbian context, the year 2005 brought many important changes to the musical theater sector with regard to the production and reception of the genre. When we observe musical comedy in Serbia and France, we must take into account differences in the terminological nature but also in the economic nature coming from different modes of exploitation of the shows.

• Details
• Contents