Arti Musices Pannoniarum – The Compositional Practice in Vojvodina in the Social-Historical and Musico-Historical Context Cover Image

Arti Musices Pannoniarum – композиторско стваралаштво на територији Војводине у друштвено-историјском и музичко-историјском контексту
Arti Musices Pannoniarum – The Compositional Practice in Vojvodina in the Social-Historical and Musico-Historical Context

Author(s): Nemanja Sovtić
Subject(s): Cultural history, Music, Sociology of Art
Published by: Muzikološki institut SANU
Keywords: Vojvodina; compositional practice; social-historical context; musicohistorical context; generation of composers;

Summary/Abstract: In this paper, the territorial frameworks are set with the aim of forming a regional historical synthesis dedicated to the creation of art music in Vojvodina, a synthesis that differs from those offered in previous music historiographies. It can be said that the composers who greatly contributed to the development of the musical life of the Vojvodina communities in the interwar period have made modest contributions to the “local type” musical modernism. In the second half of the 20th century, they were involved in determining the place of “new music” within modernism and realism in the Cold War period. The Serbian National Theatre, the Association of Composers of Vojvodina and the Academy of Arts in Novi Sad gave support to compositional practice in Vojvodina after the Second World War.

  • Issue Year: 2/2022
  • Issue No: 33
  • Page Range: 153-171
  • Page Count: 19
  • Language: Serbian