ІДЕНТИФІКАЦІЯ СЦЕНІЧНОЇ ДІЇ У ПРОЦЕСІ СТВОРЕННЯ АРТИСТОМ ПАРТИТУРИ ОБРАЗУ РОЛІ
IDENTIFICATION OF STAGE ACTION IN THE PROCESS OF CREATION OF A ROLE IMAGE SCORE BY AN ARTIST

Summary/Abstract: The purpose of the work. Highlight and characterise the identifier of the stage action, its specific diversity in the process of the artist's creation of the score of the image of the role in accordance with the personification of the dramatic work, taking into account all the characteristic signs of ideological-emotional verbal and physical expressiveness. The research methodology consists in the application of the functional method to consider the complementarity of verbal and stage action, physical correspondence of posture and gesture, general plasticity of body culture, levels of creative potential, categories of psychophysical action; the art method for understanding the interpretation of the image of a character in a dramatic work in the process of creating stage role-playing material by the performer on the basis of a creative reinterpretation of a number of events, implementing various options for the transformation of extra-artistic facts with the help of one's own emotional memory; a systematic method for revealing and understanding the essence of the mechanism of formation of the general picture of the image of the role in the process of stage action, a set of rehearsals, creativity of the individual performer; analytical method for the analysis of the characteristic features of the formula of the visual-spectacle model of the performance, the classification reference point of certain stage actions according to the genre plan of the performance. The novelty of the research consists in considering the procedural essence of the artist's creative activity, a consistent analysis of the comparability of the stage action and the dramaturgical series of events, the justification of the main means and ways of expressiveness of acting. Conclusions. An actor is an imaginative and creative substance of the formation of theatrical art, the main category of which is directly the stage action, the essentiality of which is determined by dramatic circumstances, quality, relationships, relationships between characters, a series of events, space-time dimension and possession of the inherent properties of the artistic image of the role. The artistic creativity of the masters of the stage spectacle as a living organism exists thanks to new ideas of interpretation of the score, implementation of the idea of the performance and original modern embodiment, and a priori cannot exist without the latest techniques and methods of artistic performance.

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