Türlerarası Yenidenyazım: Geçmiş Zaman Elbiseleri Temelinde Söyleşim ve Ana Metinsellik
Intergenred Rewriting: Dialogy and Hypertextuality in Past Time Dresses

Summary/Abstract: Ahmet Hamdi Tanpınar is an esthete-writer with avant-garde approaches that significantly determined and represented the eclectic tendencies of his period. It is known that Tanpınar, in the art of the novel, gave place to the interaction of audio-visual arts, especially music, painting and sculpture, and the field of literature as an aesthetic basis, he directed aesthetic tools co-planar with literature and dealt with the subject of the circulation of arts through esthete figures. The transition of arts and ekphrasis practices in Tanpınar's literature emerge through the reproduction versions that take place in the form of transferring his works to auditory and visual aesthetic planes, as well as the existing conversation in his works. Tanpınar's story, “Past Time Dresses” was adapted to the cinema by director Metin Erksan under the name Dresses of Times Past. The transformations that take place during the adaptation from the hypotext (story) to the hypertext (cinema) are examined on the basis of the methods that create the transtextuality by considering the phenomenon of “intergenred rewriting”.

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