SCENSKI GOVOR U PREDSTAVI UGURSUZ U KAMERNOM TEATRU 55
STAGE SPEECH IN THE PLAY UGURSUZ

Summary/Abstract: From the theatrical aspect, the paper examines analytically and critically the stage speech of the main character, actor Admir Glamočak – Muzafer, in the play Ugursuz by Nedžad Ibrišimović, performed on the Bosnian professional theater scene in 1997 on the occasion of marking the 35th anniversary of the artistic work of the writer Nedžad Ibrišimović, directed by Gradimir Gojer. It was the second staging of Ibrišimović’s play Ugursuz, and the first Yugoslav theatrical premiere of the play took place on the Zenica stage in 1970, directed by Ljubiša Georgijevski. No similar articles were found on the subject in the title, nor texts in which the stage speech in the play Ugursuz is observed and investigated within the framework of theatrology. By applying the methods of theater aesthetics, we tried to answer the question, integrating into this research the historical and theatrical methods, without which the analysis of the stage speech in the play Ugursuz would be incomplete. General scientific methods were used in the work: the method of analysis and synthesis, the inductive-deductive method, the method of collection, classification and the interview method. The direct theatrical sources used in the work are the play Ugursuz in the manuscript of the author Nedžad Ibrišimović, posters and programs, while the indirect sources are scene photos, theater reviews, theories of the history and sociology of theater, as well as theories that speak indirectly about the topic in the title of the work. The stage speech of Admir Glamočak - Muzafer in the play Ugursuz is specific and special because it is an inarticulate speech on stage. Muzafer, a mute freak, who closely follows all stage events in dramatic situations, absorbs everything and thinks about everything like a famous world philosopher, speaks at the very end of the dramatic action. Muzafer - Admir Glamočak, speaks on the stage with acting means: facial expressions, body movements, gestures, but also with a mental-intellectual structure, incorporating into the stage character his personality, nature and his acting skills for which he was, in his acting career (theater and film), awarded several times.

• Details
• Contents