The Fragile Stage: Public Service in Theatre as a Track to “The Good Life”
The Fragile Stage: Public Service in Theatre as a Track to “The Good Life”
Author(s): Jan MotalSubject(s): Social Sciences, Theatre, Dance, Performing Arts, Education, Fine Arts / Performing Arts, Sociology of the arts, business, education, Inclusive Education / Inclusion
Published by: Ústav divadelnej a filmovej vedy SAV
Keywords: public service; public interest; theatre; Czech theatre; economic crisis; good life; counterpublics; democratic dialogue; inclusion
Summary/Abstract: This article explores the concept of public service and public interest. Drawing on the philosophies of Martha Nussbaum, Virginia Held, and Nancy Fraser, the presented text contests traditional political-economic and cultivation theories that emphasize efficiency, performance, and perfection. Instead, it posits an approach that integrates human vulnerability as a valuable aspect of the “good life,” thereby fostering a richer understanding of public interest. It criticises the exclusive and perfection-focused narratives, proposing inclusive “counterpublics” that recognize and value diverse community interests. The 2018 performance of Frljić’s “Our Violence, Your Violence” in Brno, CZ provides a tangible illustration of these concepts, showcasing how theatre can function as a democratic platform for dialogue or fail in this mission due to paternalism. The article concludes with a call to reimagine public service in theatre to encourage democratic decision-making, appreciate human vulnerabilities, and foster dialogue and inclusion.
Journal: Slovenské divadlo
- Issue Year: 71/2023
- Issue No: 03
- Page Range: 293 - 307
- Page Count: 15
- Language: English