СИНТЕЗ МИСТЕЦТВ У ТВОРАХ ПАВЛА ФЛОРЕНСЬКОГО ЯК ЗАСАДА ДЕСКРИПЦІЇ СЦЕНІЧНОГО СИНТЕЗУ В КУЛЬТУРІ ХХ СТОЛІТТЯ
THE SYNTHESIS OF THE ARTS IN THE WORKS OF PAUL FLORENSKY AS THE BASIS OF THE DESCRIPTION OF STAGE SYNTHESIS IN THE CULTURE OF THE 20TH CENTURY

Summary/Abstract: The purpose of the article is to determine the scenic phenomenon of the anthropological boundary in the context of the synthesis of arts as iconography, according to P. Florenskyi. The research methodology is presented with comparative and systematic approaches. Transcendental, phenomenological and dialectical methods are used from philosophical methods, which make it possible to carry out a philosophical and anthropological analysis of the synthesis of arts as a dynamic integrity in the context of possible, existing and post- existing modes of existence of an artistic work. Scientific novelty of the article. It is proved that Pavlo Florenskyi, in the context of the search for the Silver Century, carried out a monumental project of the synthesis of arts, which presents several faces of the human artist as a subject of the culture of the 20th century.

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