PËRVOJAT E PERCEPTIMIT ESTETIK TË VETMISË NË LETËRSINË SHQIPE
EXPERIENCES OF THE AESTHETIC PERCEPTION OF LONELINESS IN ALBANIAN LITERATURE

Summary/Abstract: Loneliness, as an object of aesthetic perception, makes visible the extent of authenticity and understanding of our existence in the world, as well as the revelatory powers in literary works of authentic worlds. To reflect on the truth of solitude revealed in literary art, means to discover the authentic or inauthentic character of literature itself, as a spiritual activity. In our literature, not infrequently, because it will be based on collective imaginings fueled by class ideology, loneliness will not be the type of individualistic loneliness experienced by, for example, Antoine Rocanten in the novel "Nausea" by Jean-Paul Sartre, or that of Eugene Ionesco's "The Hermit", but it will be the collective loneliness of the Albanian people against the other collective, as happens in Ismail Kadare's novel "The Winter of Great Loneliness". In spite of this, with the phenomenological model of the perception of loneliness, as an aesthetic object, in the prose of Teki Dërvishi, imagination, apart from representing the organizing force of intuitions in images, will simultaneously be the negative force of the world of absen ces in function of building a world that goes to the possible limits of the existence of an impossible. The phenomenological model of perception is a product of dissatisfied consciousness, which, in Teki Dërvishi's prose, originates and becomes a continuation of skeptical consciousness about the world.

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