AN INTERDISCIPLINARY APPROACH TO LAZĂR ZĂHAN’S POETRY VIA BACHELARD’S AESTHETICISM, SANDU’S SEMIOLOGIC PERSPECTIVES ON TRANSMODERNITY AND STEINER’S TWELVE SENSES
AN INTERDISCIPLINARY APPROACH TO LAZĂR ZĂHAN’S POETRY VIA BACHELARD’S AESTHETICISM, SANDU’S SEMIOLOGIC PERSPECTIVES ON TRANSMODERNITY AND STEINER’S TWELVE SENSES

Summary/Abstract: The paper expands upon Lazăr Zăhan’s poetry approached via Bachelard’s aestheticism which will be turned into account with a view to highlighting how poetical phenomena and the phenomena of Logos harmonize with each other, enhancing the high degree of intimacy of Zăhan’s poetic imagery. We will also explore Sandu’s semiological perspectives on transmodernity in order to bring into focus Zăhan’s double status as poet and philosopher and Steiner’s approach to the twelve senses.

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