СЦЕНА ЯК ОБШИР МИСТЕЦЬКИХ РОЗВІДОК РЕЖИСЕРА-АВТОРА Частина 2. М. Форман, А. Хічкок: театр як захоплення
The scene as a space for artistic searches of the director-author. Part 2. M. Forman, A. Hitchcock: the theater as a hobby

Summary/Abstract: The purpose of the article is to identify the problems of creativity of directors who have realized their artistic potential both in auteur cinema and in the space of the stage and to determine scientific guidelines that will contribute to a comprehensive analysis of the phenomenon of the filmmaker in the performing arts. Research methodology. Methods of scientific analysis, comparison, generalization, self-analysis of the artist were used in elaboration of the theme. In addition, analytical and systematic methods were applied in their unity, which is necessary to study the art aspect of the problem. The scientific novelty of the study is to determine the universality of directing as a specific kind of artistic and aesthetic activity; in clarifying the interaction of performing and screen arts in the use of expressive means; in determining the features of the filmmaker's activity in the stage space through the adaptation of screen means in theatrical productions, which first became the subject of a special study; in the coverage, the activities of directors-authors who resorted to reforming the language of language and the language of stage production; in identifying the original principles of filmmaking and specific means of cinematic expression, which not only found a direct embodiment in films and contributed to the emergence of outstanding authorial films, but also had a significant impact on the author's theatrical direction, which sought to visualize stage images. Conclusions. It is proved that the stage work of filmmakers-authors calls into question the theoretical postulates about the perniciousness of the intrusion of theater culture into screen works. It has been found that pictorial and expressive means that provide a chronology of image creation (long shots, in-frame editing, acoustic, light and shadow effects), the use of which in cinema is considered a high degree of skill, have their origins in the performing arts.

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