From the ivory tower to the expanded workshop: notes on the idea of the artist’s studio in American art at the turn of 1970s and 1980s
From the ivory tower to the expanded workshop: notes on the idea of the artist’s studio in American art at the turn of 1970s and 1980s

Summary/Abstract: The paper discusses the change of paradigm in American art in the 1970s within the context of the artist’s studio and its role in the institutional nexus of the art world. The central reference point is the reception of works by artists who, at the turn of the 1970s and 1980s, after several years of creating Conceptual Art, returned to painting, then regarded as a conventional and discredited studio practice. The author focuses on the example of New York- and Los Angeles-based artist Jack Goldstein (1945–2003).

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