Acquaintance of Western and Eastern European Countries with the Culture of the Ancient Chinese Musical Tradition through Museum Exhibitions
Acquaintance of Western and Eastern European Countries with the Culture of the Ancient Chinese Musical Tradition through Museum Exhibitions

Summary/Abstract: When considering the possibilities of establishing musical traditions, the main attention is paid to the structural understanding of the activities of art critics, who can fully distinguish national musical motives. They, in turn, can identify musical tendencies and guide the development of musical styles not only using national motives, but also represent the methods and forms of keeping the musical heritage. In terms of the novelty of the study, it is worth noting that a significant number of national musical styles are based primarily on the fact that each decision must be documented. In this regard, the authors see the use of forms of museum exhibitions. The paper presents strategies for the musical heritage establishment, which is proposed when comparing the Chinese style and the styles of Eastern European countries during the period from the beginning of the nation-building. The authors note that such comparison is allowed provided that each of the styles of music is documented according to the rules for storing museum complexes. The practical significance of the study is determined by the forms of preservation and the possibility of comparative research during the formation of a globalised musical culture. It is proposed to use regional forms of musical style direction.

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