Teatrul de stradă și publicul său
Street Arts in Europe and their Audiences
Author(s): Dan Bartha-LazărSubject(s): Theatre, Dance, Performing Arts, Sociology of Culture, Sociology of Art
Published by: Editura Universitatii LUCIAN BLAGA din Sibiu
Keywords: Street arts audiences; non-public; the diversification of audiences; free access; public space;
Summary/Abstract: We cannot look at street arts audiences in Europe outside a more general framework. The diversification of audiences for culture and the possibility of reaching ‘disadvantaged’ audiences are two challenges that face a Europe of culture in its entirety. Since the main way of promoting street arts in Europe at this point remains through festivals, street arts audiences today are mainly festival-goers. Presenting artistic events in an outdoor environment, with free and open access, has a strong impact on attendance. Although we cannot state that the street arts public, as reflected by the available surveys, is a popular public, we can still assert that it tends to be so and, without oversimplifying, that it manages to attract population groups not found at other events. +e heterogeneous nature of street arts audiences attracts composite audiences with a variety of cultural practices and attitudes. Spectators used to the code of the indoor performance are found side by side with fans solely of street arts and with new spectators.
Journal: Jurnalul Artelor Spectacolului (JAS)
- Issue Year: 2021
- Issue No: 1
- Page Range: 77-83
- Page Count: 7
- Language: Romanian