Sceniczna adaptacja Zbrodni i kary w ujęciu Wajdy oraz Śmigasiewicza. Podobieństwa i różnice
Stage adaptations of Crime and Punishment by Wajda and Śmigasiewicz. Similarities and differences

Summary/Abstract: Aim. The aim of this study was to trace the scenarios of theatrical adaptations of the novel Crime and Punishment, directed by both Andrzej Wajda and Waldemar Śmigasiewicz, as well as to indicate the similarities and differences between the works studied. Methods. Two separate theatrical scenarios were analysed and compared scene by scene in order to show, and then discuss, the similarities and differences in the construction of the play in terms of the translation of a literary work into a stage work. Results. Analysis revealed that both scenarios are based on three alternating dialogues between Raskolnikov and Porphyry and Raskolnikov and Sonya. Both theatrical adaptations focus on the criminal’s mental condition immediately after the crime committed, and on the question: why did Raskolnikov kill? The differences in scenarios are due, firstly, to the directors’ choice of supporting characters. Secondly, because of the episodes that occur between the dialogues of Raskolnikov with Porphyry and Raskolnikov with Sonya. Conclusions. In this study, only similarities and differences in the construction of the textual layer of the adaptations in question were taken into account, in order to understand which ideas and symbols of Crime and Punishment Wajda and Śmigasiewicz wanted to convey to the audience. Stage solutions such as acting, set design, costumes, lights, music and other means of expression were not covered by the study.

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